From Park Avenue to China. Image by Michael Rush

From Park Ave to Beijing: An American Orchestra in China

What happens when an orchestra of dedicated amateur musicians heads out on a tour of China? What’s life on the road like for orchestras encountering multiple concert halls, differing cultural norms, and planes, trains, and automobiles in a foreign country? How do musicians stay in artistic shape while traveling? And what about all that great Chinese food? More

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Charleston Symphony musicians

Southern Revival

Recent bankruptcies and strikes have tended to grab most of the headlines, but one orchestra to suffer the slings and arrows of the downturn for months in relative silence was South Carolina’s Charleston Symphony. In early February 2009, More

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Exterior of the new Mariinsky II Theatre in St. Petersburg, Russia. The back of the original 1860 Mariinsky Theatre, across the Kryukov canal, is reflected in the new theater's windows. Photo by Natasha Razina

Mariinsky: Take Two

In St. Petersburg, Russia, the long-awaited opening of the new Mariinsky Theatre this week has the city in a bit of a frenzy. The theater has been ten years in the making, and in addition to the giddy opening-week excitement there is a feeling of palpable relief that it’s finally finished. There are also quite natural and inevitable comparisons with the beautiful green original Mariinsky Theatre, just across the Kryukov canal, with all of that building’s  history and splendor. This modern, more ordinary-looking hall serves as a second, additional performance space for operas and ballets by the Mariinsky company, and it is a more practical space. In fact, there has been a lot of discussion in St. Petersburg on whether the design is too plain-looking or not. As company director Valery Gergiev and the hall’s architect, Jack Diamond, explained repeatedly, the idea of the hall is to feel comfortable and not too fancy, and keep all the excitement focused on the acoustics and on the stage: they want something that works. More

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Jesse Rosen delivers Red Alert! address

Orchestras at the Crossroads

It was nearly standing room only at the June 8 Red Alert! plenary session at the League of American Orchestras’ National Conference, as crowds surged into the Grand Ballroom this morning at the Hilton in Minneapolis. The session presented a candid look at where orchestras are now, and also offered two highly detailed, fresh perspectives on the nuts and bolts of how orchestras might not only survive but thrive. League President and CEO Jesse Rosen started the session with an address that tackled the challenges orchestras are confronting and also celebrated orchestras’ sterling record of achievement. More

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DiMenna Front sized

New Home on the Highline

The saying goes: if you can make it in New York, you can make it anywhere. Making it just got a whole lot easier for the city’s smaller music groups this spring with the opening of the DiMenna Center for Classical Music. Conceived as a permanent home for the Orchestra of St. Luke’s, with new More

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Florida Orchestra woodwind quintet members

Havana-Tampa Bay Exchange

Just a few weeks ago, The Florida Orchestra surprised the arts world with the announcement that it will conduct a cultural exchange with Cuba over the next several years, with the first visit by its musicians to Havana set for this September. More

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concentration camp 3

Verdi, the Holocaust, and the Indians of Minnesota

What happens when the Bemidji Symphony—a small community orchestra in northern Minnesota—performs Defiant Requiem, a multimedia adaptation of Verdi’s Requiem that incorporates the Holocaust? The chance for a broader dialogue with the local Native American community, for one thing. More

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Matt Haimovitz playing at OccupyWallStreet on October 16

Occupy Wall Street, Cello Edition

This past Saturday, cellist Matt Haimovitz headed down to Zuccotti Park in lower Manhattan, where the Occupy Wall Street protests against social and economic inequality have been underway since September 17. Once arriving there, he found someone to loan him a 5-gallon plastic bucket, pulled out his 300-year-old Venetian cello and beloved Peccatte bow, sat down on the bucket, and starting playing. More

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Occupy the Arts

Poll: Elitism in the Arts?

Anthony Tommasini’s “Occupy the Arts, a Seat at a Time” in Sunday’s New York Times, has started heated discussions in some quarters about the issue of social equality as it relates to the arts. That article cited the many concerts in New York City and elsewhere in the U.S. that are offered either free or at very low cost, adding, “Classical music has struggled for a long time to fight the perception — an unfair perception — that it is elitist and inaccessible… More

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Boston Symphony Hall stage

Poll: Do orchestral auditions need a facelift?

As the Olympics get into full swing, many are the tales of instant glory, where just a few minutes— seconds, even—can seem to completely change a person’s life. In the orchestra world, a similar reality exists for Mike Tetreault and the countless of other classical musicians who take auditions every year. Tetreault was recently the subject of an extensive Boston magazine article by Jennie Dorris and subsequent NPR segment recounting his preparation process for an (ultimately unsuccessful) audition to fill two simultaneous percussion openings at the Boston Symphony Orchestra. More

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At a Brick Church Concert Series last fall in Williston, Vermont, Domoto led the VYO Chorus in the absence of its regular conductor, Jeffrey Buettner. Photo by David Yandell

Music for Vermont Youth: Domoto’s New Challenge

Meeting the educational needs of talented young instrumentalists in a rural, sparsely populated state with few musical resources in the schools is a challenge. And it’s a matter of paramount concern to Jeffrey Domoto, now one year into his job as music director of the Vermont Youth Orchestra Association. More

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The jumbotron at St. Pete Times Forum welcomed nearly 5,000 students to a teamwork-themed Florida Orchestra youth concert on October 19.

Root Root Root for the Home Team

Symphony orchestras, like professional sports teams, are ideally the embodiment of coordinated group effort and a healthy dose of esprit de corps. Like pro sports teams, they also identify strongly with specific localities, both in their names and in their fan base. Orchestras playing for the home team is nothing new, but as the current season gets underway the spirit of collaboration seems especially high, with orchestras in St. Louis, Detroit, Cleveland, Winnipeg, and Tampa linking up with the flagship teams in their respective cities.  More

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Boston Landmarks Orchestra at Boston's DCR Hatch Shell

New Landmark

This summer is Christopher Wilkins’s first as music director of Boston Landmarks Orchestra, which has been performing free outdoor concerts at Boston’s DCR Hatch Memorial Shell since its founding in 2001. Wilkins—who is also music director of Akron Symphony in Ohio and the Orlando Philharmonic in Florida—is only the group’s second music director More

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JoAnn Falletta helps introduce the Hawaii Symphony at the Royal Hawaiian Hotel in Honolulu, June 13

Hawaiian Sunrise

The lingering effects of the economic downturn continue to take a toll on orchestras across the country. Enough, in fact, to forget that one of the first organizations to feel the heat was the Honolulu Symphony, which filed for bankruptcy in December 2010 More

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Hong Kong Philharmonic performs Tchaikovsky's 1812 Overture, 2009

Sparkling Programs

This Fourth of July season, American orchestras are performing rousing patriotic favorites by composers like Gershwin, Bernstein, and Sousa. They’re playing foreign pieces that have ironically become part of the standard repertoire, like Tchaikovsky’s 1812 Overture. They’re performing homegrown Broadway hits (South Pacific, Funny Girl), Joplin classics, and Harold Arlen medleys. And they’re inviting music stars like Jennifer Hudson, who will perform with the Boston Pops on Wednesday. More

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Books in Brief-Moral Fire, by Joseph Horowitz

Passion in the Gilded Age

“If screaming Wagnerites standing on chairs are in fact unthinkable today, it is because we mistrust high feeling,” writes cultural historian Joseph Horowitz in Moral Fire: Musical Portraits from America’s Fin de Siècle (University of California Press, 265 pages, $39.95). “Our children avidly specialize in vicarious forms of electronic interpersonal diversion. Our laptops and televisions ensnare us in a surrogate world that shuns all but facile passions.” Moral Fire is Horowitz’s latest scholarly opus, and in it he returns to one of his favorite themes: the zeal and idealism with which European classical music was promoted and debated in America in the final decades of the nineteenth century—and the powerful effects of that art form on the American public during that time. More

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Knights lead

New-Music Balancing Act

As the year nears its grand finale, several critics have reflected on the place of contemporary music and living composers within our field’s ecosystem. Anthony Tommasini and Allan Kozinn, both of The New York Times, looked at recent new-music developments—at the major institutions and in alternate venues, respectively—while Rob Deemer of NewMusicBox offered a slightly different take. “Classical music audiences seem more curious than ever,” Tommasini observed in the Times on December 11, “and performers have been emboldened over the past decade or so to take more chances. More

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Maestro Showcase

How do conductors on the rise gain attention? How do orchestras find gifted conductors? In the highly competitive world of orchestral conducting, simply getting exposure can be challenge enough. The League of American Orchestras’ Bruno Walter National Conductor Preview offers one answer to that challenge with a showcase of new talent. On March 13, six conductors led Florida’s Jacksonville Symphony Orchestra at this year’s Conductor Preview, before an audience of music-director search committee members, artistic administrators, and artist managers and agents from across the country. Each participant had 40 minutes on the podium, allowing industry professionals to check out rehearsal technique and abilities. More

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Bram Fisher (left) and Zachary Fouser collaborate on violin during Week 6 of this summer’s Days in the Arts program. Photo: Hilary Scott

Summer Camp, Boston Symphony Style

It’s the first Tuesday in August, and a small group of tweens is walking the grounds of Tanglewood Music Center with Monisse Reed, program coordinator for a summer camp they are attending a short distance away in Lenox, Mass. The kids are part of a larger group that arrived at the camp yesterday, from cities and towns across Massachusetts, for Week 6 of the Boston Symphony Orchestra’s Days in the Arts (DARTS) program. Today they are making their first visit to Tanglewood as DARTS campers. More

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Full orchestra rehearsal with Team Copland.

From Buckets to Strings

Alvaro Rodas is holding a cello-shaped object. Missing strings, a bridge, and f-holes, it’s a papier-mâché affair with a cardboard neck. It could be a musical piñata, but in fact this cello is a new addition to the Corona Youth Music Project’s paper orchestra. Paper instruments are an important stepping stone for children who are preparing to be part of a full orchestra in this Queens, NYC-based music-education program. With a paper violin, viola, or cello, kids can focus on the mechanics of holding an instrument, how to “play” together, and ensemble etiquette—without the distraction of noise. More

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