The Equity, Diversity, and Inclusion Center
The Equity, Diversity, and Inclusion Center is designed to provide practical and helpful insight, advice, and a path to greater diversity and inclusion in every part of your organization. Hundreds of free resources — including two pioneering diversity studies published by the League — are available to help you better understand and create a deeper connection with your community.
For the League of American Orchestras, achieving diversity means affirming the inclusion and involvement of a broad representation of our community, reflecting its true make-up, including race, ethnicity and cultural background, gender, sexual orientation, age, socio-economic status, disabilities, education, geography, and religion. The League has pledged to:
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New ResourcesResources for Diversity in Repertoire
On April 18, 2018, the League of American Orchestras, along with its partners, The Sphinx Organization and the New World Symphony, announced the National Alliance for Audition Support, an initiative that began with a discussion at a Diversity Forum convened by the League of American Orchestras and The Andrew W. Mellon Foundation in 2015. Read more here.
Commentary from Jesse Rosen
A Time to Act (August 2017)
Read a statement from our CEO, Jesse Rosen, on the role of orchestras in this time of escalated divisiveness and intolerance.
Confronting homogeneity at American orchestras is the focus of Jesse Rosen’s article in Grantmakers in the Arts’ GIA Reader. Read it here.
League President and CEO Jesse Rosen spoke on diversity in American orchestras at the recent conference of the Association of British Orchestras.
Nearly 1,000 orchestra administrators, musicians, trustees, and volunteers gathered in Baltimore for the League's 71st National Conference June 9-11. This year's conference focused on diversity, particularly as it relates to increasing the involvement of members of underrepresented communities in all aspects of our orchestras—on stage, in the board room and the executive offices, and in the audience.
Powerful address on diversity from The Honorable Elijah Cummings, U.S. Representative (MD-7)
Keynote speaker Earl Lewis, President of The Andrew W. Mellon Foundation
Address from DeRay Mckesson, civil rights activist; Address from Dr. Monique Chism, deputy assistant secretary for policy and programs, OESE, U.S. Department of Education; Closing Luncheon Remarks and Panel
Session on Resourcing Diversity Work with Janet Brown, president & CEO, Grantmakers in the Arts; Susan Feder, program officer, performing arts, The Andrew W. Mellon Foundation; Marian Godfrey, cultural advisor, Berkshire Taconic Community Foundation; Edwin Torres, deputy commissioner, New York City Department of Cultural Affairs
Session on Inclusive Leadership with Andrés Tapia, senior client partner, Korn Ferry Hay Group and author of The Inclusion Paradox - 2nd Edition: The Obama Era and the Transformation of Global Diversity.
A New Will to Confront Homogeneity in American Orchestras: this article by League President and CEO Jesse Rosen originally appeared in the Winter 2017 issue of the GIA Reader, a publication of Grantmakers in the Arts.
How Can Orchestras Become More Diverse: League President and CEO speaks with a roundtable of distinguished African American orchestral musicians about their lives at American orchestras.
The State of the Board: Report from BoardSource on board diversity—and how to increase it.
Forward Steps: Orchestras are working to broaden musician diversity with a rich array of talent-development projects, fellowships, and mentoring programs.
The Diversity & Inclusion Resource Center is made possible by a generous grant from The Andrew W. Mellon Foundation.
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The Pacific Symphony’s Lantern Festival. Photo courtesy of Pacific Symphony.
The League of American Orchestras’ 2017 National Conference included a session entitled Classical Musicians of African Descent: Perspectives, Aspirations, and Outlook. Pictured (left to right): Judith Dines, Flute, Houston Symphony Orchestra, principal flute, Gateways Music Festival; Alex Laing, principal clarinet, The Phoenix Symphony, principal clarinet, Gateways Music Festival; clarinet; Gateways Music Festival; Kelly Hall-Tompkins, violin, Gateways Music Festival; and Ann Hobson Pilot, former principal harpist, Boston Symphony Orchestra. The session also included (not pictured): Lee Koonce, president and artistic director, Gateways Music Festival and Michael Morgan, music director and conductor, Oakland Symphony, artistic director, Gateways Music Festival, as well as session moderator Jesse Rosen, president and CEO, League of American Orchestras. Photo credit: Doug Coombe
Seattle Symphony’s Native Lands Community Composition Project received a Getty Education and Community Investment Grant in 2015 for residencies, multi-generational cultural exchanges, and a culminating performance of the Potlatch Symphony. Photo credit: Robert Wade
As part of the San Diego Youth Symphony and Conservatory’s work in the Chula Vista Elementary School District, Conductor Adam Pezdek leads the Community Opus Project’s Esperanza Band in a rehearsal in March 2016. Photo credit: Kaitlyn Korogy
Symphony Magazine, the League’s award-winning publication, featured Gateways Music Festival in their Winter 2016 issue, pictured.
Lidiya Yankovskaya, one of six conductors featured in the League’s 2018 Bruno Walter National Conductor Preview. Photo credit: Karen Almond (upper photo)
Yakima Symphony Orchestra received a Getty Education and Community Investment Grant in 2016 for Yakima Music en Acción (YAMA). Photo credit: Stephanie Hsu (lower photo)
The League of American Orchestras’ 2016 National Conference, “The Richness of Difference,” featured an address from civil rights activist DeRay Mckesson. Photo credit: Richard Lippenholz