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In early 2009, the League asked McKinsey & Company to collect and analyze existing orchestra audience participation data in order to understand the impact of demographic trends on orchestras now and in the future. The League’s new Audience Demographic Research Review contains their report.
Made publicly available on December 10, 2009, the Audience Demographic Research Review confirms the findings of the National Endowment for the Arts 2008 Survey of Public Participation in the Arts, while providing new details about behavior within and across generations.
To read the League’s Audience Demographic Research Review, please click
here.
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To read the NEA’s Survey of Public Participation in the Arts, please
click
here
- To read the League’s comprehensive memo highlighting the
findings of both studies, please click
here
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NEA Report - Regional Research Note
- The National Endowment for the Arts has recently released a “Research Note” highlighting some geographic differences in arts participation based on the 2008 Survey of Public Participation in the Arts (SPPA). While the full SPPA offers statistics for the U.S. as a whole and a few large regions, this report goes into more depth, including arts participation rates for 32 states. For example, Oregon ranks highest among classical music attendance, with nearly 17% of its adults attending a classical concert in 2008, as compared to 9.3% of the population of the U.S. Massachusetts also ranks highly, with 14.3% attendance. To quickly find the percentage of people who report attending classical performances in your state, look at the sixth column in the data tables which start on page 20 of the report.
The paper also shows a relationship between the number of arts organizations per capita in a state and arts attendance. Not surprisingly, as there are more organizations per person, attendance rates tend to go up. New York leads the number of arts organizations per capita, with 7.3 organizations per 100,000 people. This is more than twice the average in the U.S. (3.1). To read this report, click
here.
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Another way to understand arts participation is by asking where it takes place. Come as You Are: Informal Arts Participation in Urban and Rural Communities is the NEA’s first research publication in several years to examine the “informal arts”—such as playing a musical instrument, attending an art event at a place of worship, or visiting a craft fair. To read this publication, click here (pdf).